Welcome to vol. 15 of my series
Echoes of the Spectorian Era
featuring the greatest recordings
produced by Phil Spector and those
who imitated his Wall-of-Sound style.
THE CRYSTALS
First let's hear from Phil Spector's uptown girls The Crystals. Produced by Spector
from clear across the country in LA, the New York based Crystals were one of the
principal girl groups of the early to mid 60s. Barbara Ann Alston, 2nd from right in
the picture above, was a founding member and original lead singer of The Crystals.
Barbara died last year at age 74. Barbara sang lead on the Spectorian classic you
are about to hear. It's The Crystals' second single, "Uptown," the 1962 follow-up
to "There's No Other (Like My Baby)." "Uptown" was written by Cynthia Weil
and Barry Mann and originally intended for fellow New Yorker Tony Orlando
who, at the time, was three years into his career. Spector coaxed Weil and
Mann into giving him the song. Spector then proceeded to doctor the ditty,
changing notes to bring the song within the vocal range of The Crystals.
He also changed some of the lyrics about slum life and class issues
to give the song an African American perspective instead of a
Latin American POV. "Uptown" reached the top 15 on
Billboard and top 10 on Cash Box, making it
the second hit single for The Crystals.
and Barry Mann and originally intended for fellow New Yorker Tony Orlando
who, at the time, was three years into his career. Spector coaxed Weil and
Mann into giving him the song. Spector then proceeded to doctor the ditty,
changing notes to bring the song within the vocal range of The Crystals.
He also changed some of the lyrics about slum life and class issues
to give the song an African American perspective instead of a
Latin American POV. "Uptown" reached the top 15 on
Billboard and top 10 on Cash Box, making it
the second hit single for The Crystals.
"Uptown" - The Crystals
(May/June 1962, highest chart pos.
#10 Cash Box/#13 Hot 100/#18 R&B)
JOSEPHINE SUNDAY
It's Friday - T.G.I.F. - and I've got Sunday
on my mind - Josephine Sunday!
Here to sing a song that was racy by
mid 60s standards is 18 year old Sunday
mid 60s standards is 18 year old Sunday
Heppner, stage name Josephine Sunday.
In 1966, the perky songstress appeared
on American Bandstand to promote her
latest single which became the biggest
hit of her career, even though it failed
to reach the national chart. The song
was also recorded by a girl group
called The Starlets. With those
Spectorian castanets clacking,
miss Josephine sent a message
to every guy with a girlfriend:
Spend Saturday night with
Sunday and... come Monday...
"You Won't Even Know Her Name."
In 1966, the perky songstress appeared
on American Bandstand to promote her
latest single which became the biggest
hit of her career, even though it failed
to reach the national chart. The song
was also recorded by a girl group
called The Starlets. With those
Spectorian castanets clacking,
miss Josephine sent a message
to every guy with a girlfriend:
Spend Saturday night with
Sunday and... come Monday...
"You Won't Even Know Her Name."
"You Won't Even Know Her Name" - Josephine Sunday
(Apr. 1966, uncharted)
(Apr. 1966, uncharted)
THE CINDERELLAS
Up next, The Cinderellas, an R&B girl group that drew its lead singer,
Margaret Ross, from The Cookies. In the spring of 1964 The Cinderellas
released "Baby, Baby (I Still Love You)." With the Beatles and other
British Invasion bands dominating the pop chart, The Cinderellas'
hopes for a hit were merely a fairy tale. "Baby, Baby" charted
only one week near the bottom of the Bubbling Under
dungeon before vanishing into thin air.
Margaret Ross, from The Cookies. In the spring of 1964 The Cinderellas
released "Baby, Baby (I Still Love You)." With the Beatles and other
British Invasion bands dominating the pop chart, The Cinderellas'
hopes for a hit were merely a fairy tale. "Baby, Baby" charted
only one week near the bottom of the Bubbling Under
dungeon before vanishing into thin air.
"Baby, Baby (I Still Love You)" - The Cinderellas
(May 1964, highest chart pos. #134)
(May 1964, highest chart pos. #134)
ALDER RAY
Alder Ray's voice can be heard on some of the finest West Coast pop
recordings of the 60s. The soulful thrush performed as a session singer,
a member of various girl groups and as a solo recording artist.
recordings of the 60s. The soulful thrush performed as a session singer,
a member of various girl groups and as a solo recording artist.
In 1964, Alder Ray released "Cause I Love Him," a solo single recorded
at Gold Star with The Blossoms supplying background vocals and the
L.A. Wrecking Crew providing the orchestral backing track.
at Gold Star with The Blossoms supplying background vocals and the
L.A. Wrecking Crew providing the orchestral backing track.
"Cause I Love Him" - Alder Ray
(Aug. 1964, uncharted)
LINDA SCOTT
Linda Scott is best known as a cast regular on
Dick Clark's Where The Action Is and for her
first hit "I've Told Every Little Star" which
reached the top 5 on the pop chart in the
spring of 1961. Some folks don't realize
that Linda made other great recordings
before the Beatles showed up to spoil
the party. However my Pick to Click,
Dick Clark's Where The Action Is and for her
first hit "I've Told Every Little Star" which
reached the top 5 on the pop chart in the
spring of 1961. Some folks don't realize
that Linda made other great recordings
before the Beatles showed up to spoil
the party. However my Pick to Click,
the record I consider the best of
Linda's career, is different from
the others. It's Spectoresque,
and was released post-
Beatles in 1965.
Linda's career, is different from
the others. It's Spectoresque,
and was released post-
Beatles in 1965.
It's a cool cover of "You Baby," the song
written for The Ronettes by Barry Mann,
Cynthia Weil and Phil Spector, recorded
by the popular girl group and released in
the fall of '64 on their album, Presenting
written for The Ronettes by Barry Mann,
Cynthia Weil and Phil Spector, recorded
by the popular girl group and released in
the fall of '64 on their album, Presenting
the Fabulous Ronettes Feat. Veronica.
Released as a single a year later, Linda's
exciting version for Kapp Records copied
the lush Wall of Sound production style
of the original. It's a doggone shame a
record this good failed to make the chart.
Released as a single a year later, Linda's
exciting version for Kapp Records copied
the lush Wall of Sound production style
of the original. It's a doggone shame a
record this good failed to make the chart.
Heck, it never even Bubbled Under!
"You Baby" - Linda Scott
(Dec. 1965, uncharted)
THE
WALKER
BROS.
The Walker Brothers often imitated
the Spectorian production and vocal
style of The Righteous Brothers.
Here's a great example, a smooth,
dynamic cover of "Make It Easy
On Yourself," a Burt Bacharach -
Hal David song first made into
a hit by Jerry Butler in 1962.
the Spectorian production and vocal
style of The Righteous Brothers.
Here's a great example, a smooth,
dynamic cover of "Make It Easy
On Yourself," a Burt Bacharach -
Hal David song first made into
a hit by Jerry Butler in 1962.
"Make It Easy On Yourself" - The Walker Brothers
(Sept. 1965, highest chart pos. #16)
VIKKI
CARR
El Paso born Vikki Carr achieved her
greatest success singing in Spanish
greatest success singing in Spanish
but, in the fall of 1967, the thrush
reached the top 3 on the pop chart
and #1 on the Easy Listening survey
with a Spectorian English language
reached the top 3 on the pop chart
and #1 on the Easy Listening survey
with a Spectorian English language
version of a French song. Here now
is Vikki Carr with her biggest
pop hit-- "It Must Be Him!"
is Vikki Carr with her biggest
pop hit-- "It Must Be Him!"
"It Must Be Him" - Vikki Carr
Oct./Nov. '67, highest chart pos.
#3 Hot 100/#1 Easy Listening)
#3 Hot 100/#1 Easy Listening)
I hope you enjoyed vol. 15 of Echoes.
More echo-drenched classics are coming
your way in vol. 16, so stick around!
More echo-drenched classics are coming
your way in vol. 16, so stick around!
Have a Shady day!